Film/TV
The best and latest film and TV writing from The Stranger
Damn the Man, Save the Empire
Seattle’s Best Video Store Needs Our Help—Here are Eight Summer Classics to Rent Right Now
The Acolyte Might Be Woke, but the Force Is Not
The One Conservative Thing about the Star Wars Universe
Seattle Is Ripe for Volcano Noir
We Live Next to an Active Volcano. Its Ghosts Are Everywhere.
Music for Movies of the Mind
Library-Music and Soundtrack Maestro Sean Wolcott Thrives in Niche Styles
Donald Sutherland Died Today; He Changed My Life in Harare
Goodnight, Sutherland. I Will Always Remember You.
Eric Hates Beatboxing
And I Hate Eric
Get Lost in TRANSlations
Seattle Film Festival Celebrates Trans Existence and Creativity This Weekend
When Glamping Goes Bad
Ryûsuke Hamaguchi's Evil Does Not Exist Is a Surprising, Spooky Ecological Parable
We Watched Dozens of SIFF Films (and You Can Too!)
Here’s What We Loved, What We Hated, and What Felt Like Watching Two Cars Drive Toward Each Other at 1 mph Waiting to Crash
Northwest Film Forum Laid Off Nearly Half Its Staff
The Nonprofit Is Struggling, but Not Closing
Five Theses on Amazon's Superb Television Series Fallout
(Spoiler Alert)
SIFF Unveils Full 2024 Lineup
Here's Everything You Need to Know, From the Can't-Miss Movies to Where to Buy Tickets
Dev Patel's Directorial Debut Monkey Man Is a Paean to Visceral Movie Violence
And My God, It’s Invigorating
Netflix's 3 Body Problem Turns Out to Be Porn for Conservatives
The Political Movement that Brought You Climate Denialism Somehow Thinks the Show Owns the Libs
What the Hell Is Make Believe Seattle?
Finally, a Film Festival for Fellow Weirdos
Stranger Suggests: Cat Power Sings Dylan, Eric Kim, Massive: The Power of Pop Culture, Squatters’ Cinema, and Free Daffodils
One Really Great Thing to Do Every Day of the Week
Six Films You Need to See at Make Believe Seattle
Starring Ethical Vampires, Ridiculous Puppets, and a Dude Who Pretends to Be George Lucas for Funsies
Film Review: Love Lies Bleeding Is a Bold Newcomer to the Erotic Thriller Canon
Director Rose Glass’s Second Film Tells the Sleazy, Sexy Story of Two Star-Crossed Sapphic Lovers
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